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Birmingham Conservatoire: Improvisation Classes
[email ronny.krippner@gmail.com to obtain password]
ARCO Material (2011-12):
Paper II - Historical Studies: England 1720-1820
SPRING 2010/11
Improvisation Classes - Spring 2011
Baroque Improvisation 1: Monday 17/01/2011
Baroque Improvisation 2: Thursday 20/01/2011
Baroque Improvisation 3: Monday 24/01/2011
AUTUMN 2010/11
Improvisation Classes - Autumn 2010
Howells Session 1: Monday 27/09/2010
Howells Session 2: Monday 04/10/2010
Howells Session 3: Monday 11/10/2010
Howells Session 4: Monday 01/11/2010
Howells Session 5: Monday 08/11/2010
Howells Improvisation Assessment sheet: Page 1 - Page 2
Organ Improvisation worksheets (free download - copyright by the author)
Improvising in the style of Messiaen
Improvising in the style of Howells
NEW! CD
"Sixty Interpretations of Sixty Seconds by Sixty Improvisers"
A collection of solo improvisations
sewn together back-to-back by sixty innovative, forward thinking
musicians
from all over the world. Ronny Krippner plays an improvisation on the
Handel House organ at
St George's Church, Hanover Square (London).
Click here for more
details!
English Organ Improvisation
in the 20th and 21st Centuries
PhD research project, Birmingham Conservatoire.
Supervisor: Prof. Dr. Peter Johnson
Abstract
For the organist, improvisation is a necessary skill, yet in comparison with continental practices, it has often been said to be underdeveloped in the UK, not least by a lack of systematic teaching. In the first part of my research I interrogate this criticism, by examining the current practices of organ improvisation in the UK and how it has developed since 1900 in comparison with two Continental schools of improvisation (France and Germany), using recordings and interviews. There seems to have been a major change during the twentieth century regarding the importance of improvisation in the UK: in 1900, it was merely seen as a device for covering gaps in church services whereas, today, improvisation is becoming a more respected art form, perhaps a measure of the influence from French and Dutch practices.
A second aspect of my research is to develop stylistic improvisation for UK organists by analysing key stylistic traits from organ compositions from the Tudor period to the present day. So far, I was able to identify the following English improvisation styles:
• Tudor Versets (Mulliner Book)
• Englis Baroque Voluntary (Stanley)
• English Baroque Concerto (Handel)
• Early English Orchestral School (Elgar, Stanford)
• Late English Orchestral School (Howells, Whitlock)
• English Neoclassical School (Leighton, Mathias)
Practical Example:
Improvising in the style of Handel
On 1st April 2009 I improvised a Voluntary in the style of Handel at the end of the BBC Choral Evensong broadcast from St George´s Church, Hanover Square, London.
The following pages suggest a methodical approach to practising improvisations in a Handelian manner.
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